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8'3" x 11'6" Agra Design Oriental Rug | Beige All-Over Floral Field | Hand-Knotted Wool, Brand New

$2,990.00
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  • Free shipping to all 50 states, Hawaii, Alaska and Canada
  • Free returns within 31 days, no restocking fees
  • Hand-knotted and sourced direct from the weaver
SKU
brp-F-4168
ORIGIN
Indian Rugs
SIZES
8x12
SHAPES
Round Rugs
Size in ft:Width: 8'3" x Length: 11'6"
Size in Inch:Width: 99" x Length: 138"
Size in meters:Length: 3.51 x Width: 2.51 m
Colors:Beige, Ivory, Golden Tan, Olive Green, Rust Red, Soft Lavender Accents
Shape:

Rectangular

Woven:100% Hand-knotted | Handmade
Foundation:

100% Cotton

Pile:

100% Wool

Age:New | Recently woven
Design:Agra | All-over floral vine | Triple border
Origin:Made in India
Condition:Perfect | Never used

8'3" x 11'6" Agra Design Oriental Rug | Beige All-Over Floral Field | Hand-Knotted Wool, Brand New

This 8'3" x 11'6" rug is a brand new, never used piece, hand-knotted entirely by hand on a cotton foundation with a 100% wool pile and drawn in the Agra manner: a quiet beige ground carrying a continuous floral vine from selvage to selvage, with no medallion to interrupt it. It is the kind of Oriental rug people buy when the furniture is already decided and the floor needs to settle the room rather than compete with it. At 99" x 138" it covers a standard seating group with the front legs of the sofa and chairs on the wool, and the pile is deep enough to feel substantial underfoot without reading as shaggy. Every rug we sell ships with a certificate of authenticity confirming its hand-knotted construction, materials and origin.

Please Note About the Photographs:

The first studio image reads cooler and paler than the rest of the set. The floor photographs taken on grey tile are the truer reading: a warm golden beige ground rather than a chalky ivory. Wool with this much natural luster also shifts tone with the direction of the light and with the direction of the pile, which is normal in a hand-knotted rug and not a flaw.

Design and Motifs

The field is a true all over design: a lattice of curling vines that rises in mirrored pairs up the length of the rug, each pair cradling an 8 petal rosette or a serrated palmette, with long lanceolate leaves arching away on either side. Small rust red buds and tulip heads sit at the tips of the stems, and tiny lavender and ivory half-palmettes fill the gaps so the ground never looks empty. The layout repeats in 4 vertical columns, which is why the pattern can be cut at either end and still look complete. Three borders frame it. The wide main border carries alternating palmette cartouches and feathered leaf sprays on a slightly lighter tone, flanked by two narrow guard stripes of linked rosettes on a green meander, and the corners are resolved properly rather than cut off mid-motif, which is the first thing to check on a floral border of this width.

A Beige Field With Olive, Rust and Gold

The palette is deliberately narrow and tonal. The ground is a warm beige that moves between soft ivory and honey gold depending on the light, with gentle horizontal striation through the open areas where the wool takes the dye at slightly different rates. The drawing itself is golden tan, a shade or two stronger than the field, so the vines read as relief rather than contrast. Against that, two accent colors do all the work: an olive to grass green on the stems, leaf tips and guard stripe meander, and a clear rust red on the buds, rosette centers and the single lotus blossoms in the border. Scattered touches of soft lavender and a pale apricot pink appear in the smaller fillers and in the border cartouches. There is no black and no navy anywhere in the rug, which is what keeps it so light, and it sits naturally with other beige and ivory area rugs, warm woods, brass and cream upholstery.

Agra Drawing and the Quality of the Weave

The Agra design belongs to the great Mughal court workshops of northern India, where weavers worked the flowing floral vine and palmette vocabulary at a large scale for palace floors. India is where most of the world's best contemporary hand-knotted work is made today, and this rug shows why: the knotting is even across all 99" of width, the vine lines hold their curve without stepping, and the back photograph shows a tight, regular cotton foundation with clearly defined rows and a hand-tied fringe rather than a machine-finished edge. The wool is good quality and springy, spun with enough natural luster that the gold drawing lifts off the beige ground as you walk around it. Combined with the light palette and the lack of any medallion, it is a hand-knotted rug that behaves like a neutral while still being a genuinely hand-made object.

Ask about this rug

This piece is the only one of it, so the things worth knowing about it are particular to it. If you want to talk through the size, the colour in your own light, or the weave, speak to someone here first.

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