10'3" x 13'10" Pakistani Oriental Rug | French Country Floral | Ivory Field with Green Borders | Excellent Condition

This is a large hand-knotted floor piece drawn in the French country manner rather than the classical Eastern one: an ivory ground carried edge to edge with mirrored rose bouquets, scrolling acanthus and latticed panels, framed by a deep green border of roses and leafwork. At 10'3" x 13'10" it covers a formal room the way a room-size Oriental rug is meant to, and it sits squarely in the 10x14 class that most dining rooms and great rooms need. The wool pile is full and even with no thin spots, the ivory cotton fringe is intact at both ends, and the piece has been kept flat in inventory rather than walked on. It ships with a certificate of authenticity confirming the hand-knotted construction, the wool pile on a cotton foundation, and the measurements above.

Design and Motifs

The field is a true all-over design with no medallion, built from a repeating panel that mirrors left to right across the center axis and stacks up the length of the rug. Each panel pairs a standing spray of roses and buds with curling acanthus leaves, and behind the flowers the weavers set small diamond lattice grounds, finely stippled in teal and ivory, which read almost like woven brocade at close range. Ribbon scrolls and volutes link one panel to the next, so the eye travels the length of the rug instead of stopping at a center. The framing is a full triple border: a narrow inner guard of repeating flower heads on teal, then a wide dark green main border of scrolling acanthus cradling open roses and tulip forms, then an outer guard of the same small flower heads and a plain ivory edge that finishes into the fringe. The drawing is European in vocabulary and curvilinear throughout, with almost no straight lines anywhere in the pattern.

Colors in Detail

The ground is a warm ivory, closer to clotted cream than to white, and it takes up most of the surface, which is what keeps a busy floral pattern from feeling heavy. Against it the greens do the structural work: a dark forest green in the main border, a soft sage and celadon in the scrollwork and acanthus, and a cooler teal in the lattice grounds and the guard stripes. The flowers are rose pink and dusty mauve with deeper burgundy hearts at the center of the larger blooms, lifted by pale peach and antique ivory at the petal edges. Leaves run from olive to a deep pine, and thin outlines of taupe and charcoal define the scrolls so the pattern holds its shape from standing height. The overall reading is ivory and green with pink accents, a restrained palette that works with cream and off-white walls, dark wood, painted furniture and green upholstery, and it photographs well in rooms with plenty of natural light.

Origin and Weaving Quality

The rug was hand-knotted in Pakistan, where workshop weaving of European floral patterns on a cotton foundation with a wool pile has been a specialty for decades, and where the loom discipline needed to keep a repeating panel square over nearly 14 feet of length is taken seriously. The back photograph tells the story: straight, tightly packed knot rows, clean color changes with no bleed at the outlines, a firm selvage and a flat, even handle. That density is what allows the fine lattice fills and the narrow guard borders to be drawn at all, since a coarser weave simply cannot hold detail that small. The wool has a quiet sheen rather than a high gloss, it has been sheared to a medium-low pile that shows the drawing clearly, and the piece is in excellent condition throughout with even wear-free pile, sound ends and original fringe.