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8' x 10' Chinese Aubusson Rug | French Floral Medallion | Ruby Red Flat Weave

$4,320.00
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  • Free shipping to all 50 states, Hawaii, Alaska and Canada
  • Free returns within 31 days, no restocking fees
  • Hand-knotted and sourced direct from the weaver
SKU
PIX-9545
ORIGIN
Chinese Rugs
DESIGN
French & Aubusson Rugs
SIZES
8x10
SHAPES
Rectangular Rugs
Size in ft:Width: 8' x Length: 10'
Size in Inch:Width: 96" x Length: 120"
Size in meters:Length: 3.05 x Width: 2.44 m
Colors:Ruby Red, Ivory, Tortilla Brown
Shape:

Rectangular

Woven:100% Hand-knotted | Handmade
Foundation:

Cotton

Pile:

Flat Wool Weave

Design:French Aubusson | Floral Medallion | Rose Garlands
Origin:Made in China
Condition:Perfect

8' x 10' Chinese Aubusson Rug | French Floral Medallion | Ruby Red Flat Weave

This is a full room-size Aubusson in the French salon manner, worked entirely in a low flat wool weave so the drawing reads like a painted tapestry rather than a plush pile. The ruby red field carries an ivory scalloped reserve at center, ivory cartouches at the 4 corners, and swags of pink roses and soft green foliage that tie the whole composition together. At 8' x 10' it covers a standard living room or dining room without crowding the walls, and the thin handle means it slides under doors and furniture legs easily. Every piece we sell ships with a certificate of authenticity, and this one is in perfect condition with clean, even edges and full, unfaded color throughout. Buyers shopping 8x10 area rugs rarely find this much formal French drawing at this price point.

Please Note About the Photographs:

The last photograph shows the reverse of the rug. The loose yarn ends and floating wefts visible there are normal Aubusson tapestry construction, not damage, wear or a defect. The face of the rug is smooth and even, and the piece is professionally steamed and pressed before it leaves our warehouse.

Design and Motifs

The center holds an ivory oval reserve filled with a loose bouquet of open roses and buds, ringed by a laurel leaf wreath that fades from pale gold into pistachio green. Around that oval sits a larger scalloped ivory cartouche edged with tortilla brown banding and a run of small repeating leaf tips, and beyond it the red field opens out with long curling acanthus scrolls at the sides and heavy rose garlands sweeping across the center of each end. Each corner carries its own ivory shield-shaped panel with a small rose spray inside, a device taken straight from 18th century French floor tapestries. The outer border is a broad tortilla brown band set with alternating pink blossoms and green palmette leaves, contained between narrow ivory guard stripes and a plain red outer edge. There is no busy all-over repeat here: the drawing is deliberately open, with wide passages of quiet red field that let the floral work breathe.

Ruby Red, Ivory and Tortilla Brown

The ground is a deep ruby red with a slightly cool, wine-leaning cast rather than a bright orange red, and it holds that tone evenly from end to end. Against it the ivory reads warm and creamy, closer to clotted cream than white, which keeps the contrast soft instead of stark. The tortilla brown of the border and the inner banding is a muted camel tone that bridges the two, and it is shaded in graduated steps so the border looks lit from one side. The flowers are worked in dusty rose, blush pink and antique ivory with olive and sage green leaves, plus small touches of pale gold in the wreaths and scrollwork. The overall effect is the muted, slightly faded palette that collectors of French floor tapestries look for, and it sits comfortably in a room with mahogany or walnut furniture. If your scheme is built around red and burgundy rugs, this one gives you the depth without the heaviness of a thick pile.

Woven in China in the French Aubusson Tradition

Aubusson is a town in central France whose workshops produced flat tapestry-woven floor coverings for the great houses of the 18th and 19th centuries. The tradition was carried into Chinese workshops in the modern era, and today China is where most of this style of handwork is produced, on cotton warps with hand-spun wool wefts packed tight enough to hold crisp shading across a curved rose petal. Because there is no deep pile, the design depends entirely on the weaver's color blending, and you can see it here in the way the ivory cartouche fades into gold and the green leaves step through 3 or 4 tones. The finished fabric is thin, firm and very stable underfoot, easy to layer over carpet or hardwood. As an Oriental rug in a European idiom, it suits formal interiors that want floral softness rather than tribal geometry.

Ask about this rug

This piece is the only one of it, so the things worth knowing about it are particular to it. If you want to talk through the size, the colour in your own light, or the weave, speak to someone here first.