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| Size in ft: | Width: 9' x Length: 12' |
| Size in Inch: | Width: 108" x Length: 144" |
| Size in meters: | Length: 3.66 x Width: 2.74 m |
| Colors: | Rust, Gold, Olive Green, Brown, Ivory |
| Shape: | Rectangular |
| Woven: | 100% Hand-knotted | Handmade |
| Foundation: | Cotton |
| Pile: | |
| Age: | New |
| Design: | Paisley | All Over Boteh | Multiple Borders |
| Origin: | Made in Afghanistan |
| Condition: | Perfect | Brand New | Never used |
9' x 12' Afghan Oriental Rug | All Over Paisley Boteh Field | Natural Wool, Brand New
This is a brand new, never used 9' x 12' hand-knotted Oriental rug woven in Afghanistan in natural wool on a cotton foundation, and it is one of the cleaner examples of an all over paisley we have had on the floor. The field carries row after row of large gold boteh on a soft rust ground, and the whole thing is wrapped in an unusually deep run of ivory borders that makes the rug read wider and calmer than its 108 inch width suggests. The wool has a low, tight, even pile with a dry sheen that catches light differently depending on which end you walk in from, and the fringe and selvages are still crisp because the rug has never been laid in a home. Like every rug we sell, it ships with a certificate of authenticity confirming that it is genuinely hand-knotted. If you are shopping 9 x 12 hand-knotted rugs, this is the size that anchors a full seating group without pushing furniture to the walls.
Design and Motifs
The drawing is a strict all over paisley design, with the boteh set in staggered rows that lean the same direction across the whole field, so the pattern reads as a repeat rather than a scattered arrangement. Each paisley is outlined twice, first in ivory and then in a thin rust line, and the interior of every one is filled with its own miniature vine: tiny rosettes, palmettes, budding stems and small leaf sprays in olive, soft blue, apricot and cream. Between the boteh, the rust ground is not left empty; it is filled with a fine secondary tracery of little flowers and connecting tendrils that keeps the surface busy at close range and quiet from across the room. The border system is the other half of the story. There are seven bands in total, and the widest of them is an ivory ground carrying alternating cypress and willow forms with rosette heads on slender red stems, flanked by narrow guard stripes of diamonds, reciprocal sawtooth and running flowerheads. The corners resolve cleanly, with the border drawing turning the angle without a break in the repeat.
The Rust, Gold and Olive Palette
The field is a warm brick rust, closer to terracotta than to a true red, and it shifts slightly across the width in the way natural dyed wool does, with faint horizontal variation that gives the ground depth instead of flatness. Against it, the paisleys are a soft antique gold that drifts toward olive and camel in their centers, so no two look identical under light. The small filler flowers bring in the cooler notes: pale sky blue, sage, a dusty rose, an occasional cream, and a few very dark charcoal accents that act as punctuation inside the gold. The borders step down to a pale wheat ivory, which is what keeps the rug from reading heavy, and the outermost stripe returns to a deep rust brown so the rug finishes with a defined edge against a light floor. The fringe is undyed ivory cotton. Overall this is a warm, low contrast, earth toned palette that sits comfortably with wood tones, brass, leather and cream upholstery, and it will not fight an existing color scheme the way a high contrast navy and red rug can.
Woven in Afghanistan: Origin and Weave Quality
Afghan weaving workshops have built a serious reputation over the last few decades for hand-knotted wool pieces in classical drawing, and this rug is a good example of why: the knotting is even, the rows are straight, the selvages are tightly overcast, and the boteh hold their shape from the first row to the last across 12 feet of length. The wool is hand spun and locally sourced, which is what produces the slight irregularity in the rust ground, and it is the same quality of fleece that gives the pile its firm handle and dry luster. The back, visible in the fold photograph, shows a clear and legible knot grid with no loose or skipped areas. If you are weighing this against a Persian piece, the difference is one of origin and tradition rather than of construction method, and our guide on Persian rugs versus Oriental rugs explains exactly where the line falls. What you get here is a genuinely hand-knotted wool rug in a classical repeat, brand new, in perfect condition.
9' x 12' Afghan Oriental Rug | All Over Paisley Boteh Field | Natural Wool, Brand New
Ask about this rug
This piece is the only one of it, so the things worth knowing about it are particular to it. If you want to talk through the size, the colour in your own light, or the weave, speak to someone here first.