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10' x 14' Chobi Peshawar Ziegler Rug | Brown Field, Beige All Over Floral Vines | New Fine Wool

$6,000.00
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  • Free shipping to all 50 states, Hawaii, Alaska and Canada
  • Free returns within 31 days, no restocking fees
  • Hand-knotted and sourced direct from the weaver
SKU
PIX-13403
ORIGIN
Pakistani Rugs
DESIGN
Modern Rugs, Transitional Rugs
SIZES
10x14
SHAPES
Rectangular Rugs
Size in ft:Width: 10' x Length: 14'
Size in Inch:Width: 120" x Length: 168"
Size in meters:Length: 4.27 x Width: 3.05 m
Colors:Brown, Beige, Light Tan, Cream, Soft Peach
Shape:

Rectangular

Woven:100% Hand-knotted | Handmade
Foundation:

Cotton

Pile:

Fine Natural Wool

Age:New
Design:Transitional | Modern | Chobi Ziegler | All Over Floral Vine
Origin:Peshawar | Made in Pakistan
Condition:Perfect | Never used

10' x 14' Chobi Peshawar Ziegler Rug | Brown Field, Beige All Over Floral Vines | New Fine Wool

This is a new, never used 10' x 14' hand-knotted Chobi Ziegler woven in Peshawar, and it is the kind of piece that solves a large room without shouting. The whole field is a deep cocoa brown, worked over with a continuous lattice of beige and light tan blossoms, and the drawing runs edge to edge with only a narrow plain brown band holding it in. The wool is soft and lightly lustrous, the pile sits low and even, and the handle is supple enough to fold and lay flat without fighting you. It ships with a certificate of authenticity confirming the hand-knotted construction, the natural wool pile and the Peshawar origin. Among 10 x 14 area rugs, a neutral brown ground at this scale is far harder to find than the usual ivory and rust.

Design and Motifs

The pattern is a true all over floral design with no medallion and no anchor point, which is exactly why it works under furniture: there is no center to block. Thin scrolling vines branch across the whole field and carry three repeating elements, seen clearly in the corner detail: broad heart shaped palmettes with a tiny grid of 4 dotted rosettes stitched into their centers, rounded pomegranate style buds, and small serrated leaves that turn back on the stem. Occasional 5 petal blossoms sit in loose clusters where the vines cross. The scale is generous, the largest flower heads measuring several inches across, so the drawing reads clearly from standing height rather than dissolving into texture. The outer border is deliberately plain, a simple brown band with a fine outline, which keeps the emphasis on the field and makes the rug easy to place against patterned upholstery.

A Study in Brown, Beige and Tan

The ground is a chocolate to cocoa brown that shifts with the light, showing fine horizontal striations where the hand-spun yarn takes dye unevenly, the natural abrash that tells you the wool was spun and dyed by hand rather than machine matched. Against that, the florals run through a narrow but subtle range: warm beige, pale butter cream, light tan, and a soft peach that surfaces in the larger palmettes and on the reverse of the turned leaves. A few stems and outlines are drawn in a darker walnut brown, which gives the vine work definition without adding a new color. Seen from one end the field looks darker and denser, from the other the beige lifts and dominates, the usual directional play of a low pile wool rug. There is no black, no white and no bright accent anywhere, so the piece sits comfortably with walnut and oak floors, cream plaster walls, leather, linen and brass.

Peshawar Weaving and the Chobi Ziegler Tradition

Peshawar in northwest Pakistan is one of the few centers still producing hand-knotted work at this size and standard, and the Chobi Ziegler is its signature product. Chobi refers to the vegetal dye tradition the type is built on, and the Ziegler name comes from the 19th century firm that commissioned softened, open interpretations of classical village patterns for Western rooms. That is precisely what you are looking at here: a historic vine repeat, redrawn at a larger scale and calmed down to a neutral palette. The weave is a symmetrical knot on a cotton foundation, tight and regular across the back, with hand-wrapped selvages and hand-knotted cotton fringe at both ends. If you are weighing this against a city workshop piece, our guide on the difference between a Persian and an Oriental rug is worth a read, and this one belongs firmly in the modern and contemporary camp in feel while being entirely traditional in how it was made.

Ask about this rug

This piece is the only one of it, so the things worth knowing about it are particular to it. If you want to talk through the size, the colour in your own light, or the weave, speak to someone here first.