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9' x 12' Turkish Hereke Design Rug | Teal & Navy Medallion | Bamboo Silk Pile

$19,200.00
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  • Free shipping to all 50 states, Hawaii, Alaska and Canada
  • Free returns within 31 days, no restocking fees
  • Hand-knotted and sourced direct from the weaver
SKU
PIX-59234
ORIGIN
Turkish Rugs
SIZES
9x12
SHAPES
Rectangular Rugs
Size in ft:Width: 9' x Length: 12'
Size in Inch:Width: 108" x Length: 144"
Size in meters:Length: 3.66 x Width: 2.74 m
Colors:Blue, Teal, Turquoise, Ivory, Navy, Gray
Shape:

Rectangular

Woven:100% Hand-knotted | Handmade
Foundation:

Cotton

Pile:

Bamboo Silk

Age:New
Signature:Woven cartouche in the ivory end border
Design:Herekeh | Lobed Medallion | Arabesque Field | Multi-Band Border
Origin:Turkish Hereke Design | Made in Turkey
Condition:Perfect | Never used

9' x 12' Turkish Hereke Design Rug | Teal & Navy Medallion | Bamboo Silk Pile

This 9' x 12' piece is hand-knotted in Turkey in the Hereke tradition, and the first thing it does is play with light. The bamboo silk pile shifts tone with the viewing angle, so the same field can read deep navy from one end of the room and bright teal from the other, as the overhead and low-angle photographs show. The drawing is the classic Hereke arrangement: a large lobed medallion with radiating petals floating on a densely scrolled ground, enclosed by a multi-band border, with a small woven cartouche set into the ivory end band. It is new, never used and in perfect condition, and it ships with a certificate of authenticity. Anyone cross-shopping the usual 9x12 area rugs will notice this one is drawn far more finely and reflects considerably more light than a comparable wool weave, which is exactly why this style of Oriental rug gets bought for rooms where the floor is meant to be looked at.

Please Note About the Photographs:

The faint horizontal lines across the field in the flat overhead photograph are fold shadows from pallet storage. They are not wear, not fading and not damage. They relax once the rug is laid flat, and every rug leaves us professionally steamed and pressed before shipping. The light and dark banding you see in the blue is the natural directional sheen of the pile, which reverses depending on where you stand.

Design and Motifs

The centre is a broad, many-lobed medallion whose petals radiate outward like an opened flower head, each petal filled with a fine gold and ivory arabesque scroll drawn over a pale blue ground. At its heart sits a small rosette in aubergine, gold and turquoise, tiny in relation to the medallion around it, which is what gives the composition its sense of scale. The surrounding field is worked in a continuous curling vine, turquoise on deep navy, so dense that from a standing height it reads as texture rather than pattern, and only at close range do the individual leaf tips and tendrils separate. The 4 corner spandrels repeat the pale blue ground with fan-like ray lines and small floral sprays. Framing all of it is a multi-band border: a wide main band of navy palmette cartouches alternating with delicate flowering stems on a silvery blue field, flanked by narrow lilac and gold vine stripes, a navy running loop guard, and an outer ivory band studded with small rosettes. The woven cartouche in that ivory band marks the piece as a workshop weaving rather than an anonymous production run.

A Blue on Blue Palette with Gold and Lilac Accents

This is a tonal rug rather than a contrast rug. The ground is an inky navy blue that the vinework lifts with bright turquoise and peacock teal, while the medallion and spandrels drop to a soft silvery blue-gray that photographs almost like pale celadon in raking light. Ivory appears twice, as the outer border band and as the small blossom centres scattered through the main border, and it is the coolest white in the rug, closer to bone than to cream. The accents are what keep the blue from going flat: warm antique gold outlines the arabesques inside the medallion and edges the guard stripes, and a dusty lilac runs through the narrow paisley band and the border grounds, a slightly mauve note that reads purple in daylight and gray under lamps. Because the pile is reflective, every one of these tones has a light face and a dark face, so the rug looks like a different colourway depending on which side of the room you enter from.

Hereke Weaving and Turkish Workshop Quality

Hereke is a town on the eastern shore of the Sea of Marmara, southeast of Istanbul, where an imperial manufactory was established in the 1840s to supply the Ottoman palaces. Its weavers built a reputation on two things: extremely fine knot counts and drawing precise enough to carry curved arabesque line without breaking it into steps. That tradition is what this rug follows. Turkish workshops of this type use the symmetrical knot on a cotton foundation, clipped short so the pattern stays crisp, and the fineness here is visible in the medallion, where scrolls no wider than a pencil line hold their shape across 12 feet of length. The pile is bamboo silk rather than reeled silk, a plant-derived fibre spun for lustre, which delivers the reflective surface and cool hand of a silk weave in a room-size format at a fraction of what a pure silk 9' x 12' would cost. Laid flat, it behaves like a fine formal weave: light, low, and considerably more responsive to lamplight than wool.

Ask about this rug

This piece is the only one of it, so the things worth knowing about it are particular to it. If you want to talk through the size, the colour in your own light, or the weave, speak to someone here first.