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10' x 14' Indian Jaipur Rug | Antique Design Light Blue Field | Hand-Knotted Wool, Never Used

$6,000.00
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  • Free shipping to all 50 states, Hawaii, Alaska and Canada
  • Free returns within 31 days, no restocking fees
  • Hand-knotted and sourced direct from the weaver
SKU
F-4270
ORIGIN
Indian Rugs
SIZES
10x14
SHAPES
Rectangular Rugs
Size in ft:Width: 10' x Length: 14'
Size in Inch:Width: 120" x Length: 168"
Size in meters:Length: 4.27 x Width: 3.05 m
Colors:Light Blue, Gold, Rust, Green, Ivory, Burgundy
Shape:

Rectangular

Woven:100% Hand-knotted | Handmade
Foundation:

Cotton

Pile:

Wool

Age:New
Design:Antique Design | All Over Floral | Ivory Main Border
Origin:Jaipur | Made in India
Condition:Perfect | Never used

10' x 14' Indian Jaipur Rug | Antique Design Light Blue Field | Hand-Knotted Wool, Never Used

This is a brand new, never used Jaipur rug from India, hand-knotted in wool on a cotton foundation and drawn from a classical antique pattern rather than a modern one. At 10' x 14' it is a full room piece, one of the most useful of all 10 x 14 area rugs because it seats a large sofa group or a 10 seat table with margin to spare. What sets it apart is the palette: instead of the usual red or navy ground, the weavers laid the whole floral system over a soft light blue, then wrapped it in a wide ivory border. Every rug we ship carries our certificate of authenticity confirming the hand-knotted construction, wool pile, size and origin.

Please Note About the Photographs:

The pale streaks and the faint diagonal line visible across the blue field in a few of the studio shots are light catching the pile direction, plus shadow from being folded in pallet storage. They are not wear, not fade and not damage. Those shadows relax as soon as the rug is laid flat, and every rug is professionally steamed and pressed before it leaves our warehouse.

Design and Motifs

The field carries a balanced all over floral design with no central medallion, so the pattern repeats symmetrically and reads the same from either end of the room. Large round rosettes with 8 and 10 petal centers anchor the repeat, linked by thin curling vines that carry small 4 and 5 petal blossoms, tulip buds and long serrated acanthus leaves that fan out like feathers. Split palmettes sit at the vertical axis of each repeat, drawn in gold with dark navy shading at the core. The border system is three deep: a wide ivory main border of connected palmettes and vine, a narrow brown guard band of small florals, and an outer light blue band of stylized flowerheads that ties back to the field color. Corner drawing in the ivory border is resolved cleanly, with a full palmette turning each of the 4 corners rather than a cut motif.

A Soft Light Blue Ground Under Gold, Rust and Green

The ground is a muted light blue with a slight green cast, closer to soft seafoam than to a bright sky blue, and it is quiet enough to sit under warm furniture without fighting it. Over that ground the drawing runs warm: antique gold and saffron in the big leaves and palmettes, terracotta and rust in the flowerheads, soft olive and sage green in the leaf shading, dusty rose and salmon in the smaller blossoms, and small points of deep burgundy and near black used as outline to give each motif its edge. The main border shifts to a creamy ivory, almost oatmeal, which lifts the blue and keeps the whole rug light. Highlights of pure ivory wool inside the palmette centers read almost like silk where the light hits them. Overall the effect is warm and softly faded in feel, though the rug is new and the pile is full.

Jaipur Weaving and Quality

Jaipur, in Rajasthan, is one of the great weaving centers of northern India, and India is where most of the world's good contemporary hand-knotted work is now made. The better Jaipur workshops weave on vertical looms from a graphed cartoon, knot by knot, exactly as court workshops always have, and they specialize in faithful antique reproductions like this one: curved vine, resolved corners and a high enough knot count to hold fine floral detail without the drawing going blocky. The back, visible in our photos, shows tight even rows and a clean cotton foundation with no slack or bulge, and the wool is springy with a quiet natural luster that will bloom further with use. If you are weighing this against Persian city work, it is worth reading how a well made Indian Oriental rug compares. The fringe is hand-tied and the selvedges are firmly overcast, both signs of a piece finished with care.

Ask about this rug

This piece is the only one of it, so the things worth knowing about it are particular to it. If you want to talk through the size, the colour in your own light, or the weave, speak to someone here first.