9'3" x 9'5" Square Indian Rug | Kashan Design All-Over Floral | Green Field, Brand New

True squares are hard to find and harder to find in good quality, which is what makes this piece worth stopping on. It measures 9'3" x 9'5", close enough to a perfect square that it sits cleanly under a square dining table or centers a room that refuses to work with a standard rectangle. The field is green, covered edge to edge with a fine all-over floral drawing, and the wide ivory main border carries large palmettes in burgundy and deep navy. The pile is dense wool on a cotton foundation, hand-knotted and never used, and it ships with a certificate of authenticity. If you have been looking through square rugs and finding mostly machine-made filler, this is the other end of the market.

Design and Motifs

This is the classical Kashan layout worked without a central medallion: a continuous lattice of curved vines, split leaves and flowering stems that fills the whole field and repeats in mirrored halves. Count the flower types and you get rosettes with 8 and 10 petals, small four-petal blossoms, tulip and carnation heads, feathery serrated leaves and tiny buds tucked into the negative space so no area of green is left idle. At the top and bottom of the field sit two ivory and navy heart-shaped cartouches, each filled with paired rosettes and anchored by a small floral pendant, the one formal accent in an otherwise all-over drawing. The main border is a stately procession of large fan palmettes flanked by curling acanthus leaves, separated by ivory arabesque vines. On either side of it run reciprocal guard stripes: a green ribbon set with red and cream rosettes, a narrower vine stripe in gold, and a fine outer green band that picks the field color back up and frames the whole thing. Corners are resolved properly, with the border pattern turning rather than being cut off.

The Green, Ivory and Burgundy Palette in Detail

The ground is a muted, slightly grey-leaning green, somewhere between sage and forest depending on the light, which is exactly the tone that makes a floral rug feel calm instead of busy. Against it the flowers are drawn in a whole spectrum of soft, aged tones: rose pink, salmon, apricot, dusty lilac, buttery cream, gold, moss green and a deep wine burgundy that carries the visual weight. Most blossoms are outlined in near-black navy, which is what gives the field its crispness at a distance. The main border shifts to a warm ivory that is closer to sand than white, with the big palmettes worked in burgundy, black-green and slate blue, and small accents of coral and olive. Guard stripes bring in apple green and cherry red, and the outer band returns to the field green so the rug reads as a single closed composition. The fringes are natural cream cotton. In practice the green and ivory combination sits well with walnut and mahogany furniture, brass, leather, and cream or oatmeal upholstery, and the burgundy gives you an easy accent color for pillows.

Hand-Knotted in India: Weave and Quality

India is where most of the world's best contemporary hand-knotted work is now made, and this piece shows why. The folded-back corner in the photographs shows an even, tightly packed knot line on a cotton foundation, with no loose or skipped rows, and the pile stands up thick and springy rather than thin and papery. That density is what lets the weaver hold this much detail: the fine vine work and the outlined petals need a high enough knot count to draw a curve without it turning into stair steps, and here the curves stay curves. The wool is well spun and has a quiet sheen under light, which you can see along the rolled border in the close-up shots. As an Oriental rug in an honest square format, brand new and never walked on, it is the kind of piece that gets better looking with the first few years of use.