8'11" x 11'10" Ziegler Oriental Rug | Faded Light Green & Gold All-Over Floral | Hand-Knotted Wool, New

This is a new hand-knotted Chobi Ziegler woven in the Peshawar region of Pakistan, and it is the quiet kind of large rug that decorators keep coming back for. The field settles into a soft neutral light green that leans gold under warm light and closer to sage under daylight, with an all-over floral vine drawn so gently into that ground that the whole surface reads almost like a textured solid from across a room. The pile is natural handspun wool on a cotton foundation, clipped low so the drawing stays legible, and the back photograph shows an even, consistent knot line with straight sides and a rug that lies dead flat. It ships in perfect, never used condition with a certificate of authenticity, and at 8'11" x 11'10" it sits right in the middle of the 9x12 area rugs most buyers are measuring for.

Design and Motifs

There is no medallion here. The weaver ran a continuous all-over lattice from selvage to selvage, built out of broad palmettes, serrated leaves and small round rosettes strung along a slow curving vine. Because the repeat is large and loosely spaced, the pattern never crowds the eye, which is exactly what makes this design work under furniture. The close-up photographs show how much is actually drawn into the field: a coral-outlined rosette with a grey-blue center, small hooked leaf forms, and delicate stems that branch out and rejoin. The border system is three bands deep, a wider main band of alternating blossoms and leafy scroll flanked by narrow guard stripes, and the corners are resolved cleanly so the pattern turns without a visible break. Every element is rendered in the same tonal family as the ground, so the drawing is felt more than seen, and the rug works as a calm foundation rather than a focal point.

A Faded Light Green and Gold Palette

The dominant color is a washed, low-saturation light green, the kind of tone that sits between sage and warm khaki and changes character with the room. Around the outer field and through the border it warms into a soft antique gold, and the pile has a natural sheen that lifts that gold wherever the light rakes across it. Within the drawing you find three supporting tones: a chalky ivory that outlines many of the leaves, a muted blue-grey used for rosette centers and leaf bodies, and small hits of faded terracotta and coral that supply the only real warmth in the rug. Subtle horizontal banding, or abrash, runs through the ground, a natural result of handspun wool taking dye in separate lots, and it gives the field depth that a machine-consistent color never has. Against white oak, limestone, greige plaster or a natural linen sofa, this palette disappears into the architecture in the best possible way.

Woven in Peshawar, Pakistan

Peshawar is the center of the Chobi Ziegler trade, and the best workshops there produce some of the most consistent hand-knotted work being made anywhere today. Chobi refers to the natural, plant-based dyeing these weavers use, and the finished rug is given a soft wash that pulls the colors down to the mellow tone you see in the photographs. The wool is handspun rather than machine-spun, which is why the pile takes dye unevenly and glows the way it does. Look at the back image and the folded corner: the knotting is tight and even, the rows track straight, and the cotton warps are firmly packed, which is what allows the pile to be shorn this low without losing definition. As an Oriental rug built entirely by hand from natural materials, this piece is made to be walked on daily for decades and to soften further as it ages.