8'2" x 10'3" Pakistani Oriental Rug | Sage & Burgundy All Over Floral | Approx. 200 KPSI

This is a finely woven, brand new hand-knotted Oriental rug made in Pakistan, measuring 8'2" x 10'3" with a wool pile on a cotton foundation and a weave of roughly 200 knots per square inch. The field is an unusual soft sage gray rather than the expected red or ivory, and it is covered edge to edge with a mirrored floral lattice in burgundy, cream and gold. At this size it lands squarely in the practical 8x10 rug range that anchors a seating group or sits under a dining table with chairs pulled out. It has never been on a floor, the pile is full, the selvedges and fringes are clean and original, and it ships with a certificate of authenticity confirming it is 100% hand-knotted.

Design and Motifs

There is no central medallion here. The drawing is a classical all over floral repeat built on a hidden lattice, so the pattern reads continuously in every direction and the rug can be turned without one end looking wrong. Inside each compartment sits a serrated burgundy palmette flanked by curling lanceolate leaves, small cream tulips on thin stems, and 8 petal rosettes in gold and dusty rose. Between the repeats the weaver worked slim dark cartouche forms that punctuate the field in horizontal rows, the kind of detail that only holds its shape at a fine knot count. The border system is unusually rich for a rug of this size: a wide burgundy main border carrying a scrolling vine of ivory blossoms, framed on both sides by black guard stripes filled with a chain of small flowerheads, and then outer ivory minor bands. Seen at floor level in the corner photograph, each of those 4 corners resolves cleanly, with the vine turning the angle instead of being cut off, which is a reliable sign of a properly cartooned workshop weave.

Color: Sage, Gray and Burgundy

The ground is the reason to buy this rug. It is a muted sage that shifts toward warm gray depending on the light, closer to the color of dried olive leaves than to any bright green, and it gives the whole piece a soft, slightly faded, old-world quality even though the rug is new. Against it the burgundy reads deep and slightly wine-toned rather than fire red, and it is used sparingly in the field so that it builds mass only in the main border. Ivory and cream carry the blossoms and the vine scroll, with pale gold and honey tones warming the larger palmettes. Small accents of blue and bottle green appear in the leaf tips and inside the flowerheads, and jet black outlines the guard stripes and defines the edges of the darker motifs so nothing blurs. The end result is a low-contrast, dust-toned palette that works with gray, greige and putty walls, with walnut and oak floors, and with upholstery in cream, taupe or muted green, and it hides everyday traffic far better than an ivory field would.

Made in Pakistan: Weaving and Quality

Pakistan's weaving workshops have produced hand-knotted rugs to traditional Oriental drawing for generations, and the better ateliers work from full-scale cartoons with experienced weavers on upright looms, which is what allows a curved vine and a fine floral repeat like this one to hold its line. At approximately 200 knots per square inch this piece sits well above standard commercial weaving, and the back photograph shows the payoff: tight, even rows, a firm handle, and motif outlines that stay crisp instead of stepping. The pile is good quality wool, spun for luster and durability, seated on a cotton foundation that keeps the rug flat and square. Fringes are the warps themselves, finished plainly, and the selvedges are overcast in a pale tone that matches the field. It is a new, never used rug that was made to be used, and with normal rotation and care it will outlast the furniture placed on it.